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Important Questions for CBSE Class 11 English Woven Chapter 6 - The Story

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Last updated date: 17th Apr 2024
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CBSE Class 11 English Woven Chapter- 6 Important Questions - The Story Free PDF Download

Free PDF download of Important Questions with solutions for CBSE Class 11 English Woven Chapter 6 - The Story prepared by expert English teachers from latest edition of CBSE(NCERT) books.

Study Important Questions for Class 11 English - Woven Chapter 6 – The Story

A. Very Short Answer Questions: (1 Marks)

1. Word-Meaning

i. Drooping

ii. Atavistic

iii. Incurred

iv. Delineation

v. Ludicrous

vi. Wriggling

Ans: 

i. Hang

ii. Relation to something ancestral

iii. Suffer

iv. Description

v. Foolish

vi. Avoid


2. What is the fundamental aspect of the novel?

Ans: The story-telling part of the novel is important to it.


3. How should storytelling be done?

Ans: The storyteller's voice should be delivered in a variety of tones.


4. On what does the subsequent conclusion depend?

Ans: The final conclusion is determined by the particular tone of voice used by the storyteller.


5. What does the author suggest to speak to the one type of man?

Ans: The author advises that the first sort of man be asked what a novel does.


B. Short Answer Questions: (2 Marks)

1. What according to the author would the first type of man answer?

Ans: The author proposes that if you ask the first sort of man what a novel is, he will respond he doesn't know, which is a silly question because a novel is just a novel.


2. What is the quality of the first type of man according to the author?

Ans: According to the author, the first type of man has a good temper and is vague; he is probably driving a motor bus at the same time and does not pay as much attention to literature as it deserves.


3. How does the author visualize the second type of man?

Ans: The author imagines the aggressive and speedy second sort of man on a golf course. He'd give a muddled response to the same question. However, he would argue that a novel tells a tale.


4. Who is the third man the author is referring to?

Ans: The author is referring to himself as the third man. He concurs with the second man that the novel is a story. He agrees that the novel's central theme is the telling of a story.


5. What does the author find by looking more and more at the story?

Ans: According to the author, the more we gaze at the story, the more we detach it from the finer growths that it supports, and the less there is to admire.


C. Short Answer Questions: (3 Marks) 

1. ”It runs like a backbone or may I say a tape-worm for its beginning and end are arbitrary”. What does the author mean by these lines?

Ans: The author is referring to a novel's plot. It is an essential component of a novel. Because the beginning and end of a story are uncertain, the author personifies it as a backbone or a tape-worm. The stories began during the Neolithic or Palaeolithic periods. According to the shape of his head, the Neanderthal man listened to stories.


2. What does the author have to say about the audience in the primitive era?

Ans: The author depicts the prehistoric audience as an "audience of shock-heads" staring about the campfire, tired of fighting the mammoth or the woolly rhinoceros, but kept awake by the anticipation of what would come next.


3. How did the novelist deal with the primitive audience?

Ans: The novelist droned on, and the audience either fell asleep or killed him as soon as they guessed what happened next.


4. Who was Scheherazade?

Ans: Scheherazade was a writer. It is stated that she escaped her fate because she knew how to use suspense as a weapon. She realized that suspense was the one literary instrument capable of influencing rulers and savages. The great novelist was deft in her descriptions, forgiving in her judgments, innovative in her incidents, tough in her morality, and astonishing in her character explanations.


5. Who was Scheherazade afraid of? Who did she rely on?

Ans: Scheherazade was excellent in her knowledge of three Oriental capitals and good with her character. But none of this helped her because she was terrified of her abusive spouse. She barely survived because she kept the king guessing about what would happen next.


D. Long Answer Questions (5 Marks) 

1. According to the author, what is a story?

Ans: According to the author, the story is the backbone of a novel or any book. It is a chronology of events, with dinner after breakfast, Tuesday following Monday, deterioration following death, and so on. The author discusses the Qua narrative, which has only one merit: it makes the viewer want to know what happens next. According to the author, these are the only two compliments or criticisms that can be leveled against the story. A story is the most basic and basic literary existence. However, it is the most common factor shared by all the extremely intricate beings known as books.


2. Why does the author say that people are like Scheherazade‘s husband?

Ans: According to the author, individuals are like Scheherazade's spouse in that they desire to know what occurs next. He claims that this is a universal truth, which is why a story must serve as the novel's backbone. Humans are nothing more than basic interests, and as a result, our other fictitious judgments are nonsensical. Scheherazade conceals the story's suspense from her husband so that he does not murder her. This scheme of hers results in a new tradition in which the king does not kill Scheherazade and instead accepts her as queen.


3. What does ‘A Note’ from the ‘Aspects of the Novel’ say?

Ans: The author has noted a note from the novel's components that begins with certain lectures known as the Clark Lectures, which were delivered in the spring of 1927 with the support of Trinity College, Cambridge. The lectures were casual and voluble in tone, and it seems safer to offer them in book form so that nothing was lost in the event that nothing was left at all.


4. Write about the 1001 Arabian Nights.

Ans: The 1001 Arabian Nights is a series of loosely connected stories told by a young girl named Scheherazade. Her father was a preacher who served a bizarre monarch who wedded every day and beheaded the bride after the wedding night. Scheherazade expresses her desire to marry the king to her father, and he agrees. On their wedding night, she tells the king an engaging story, and she makes a point of stopping at an interesting place at the crack of dawn. The monarch refuses to execute her because he wants to hear the finish of the narrative. This scheme was extremely risky, but Scheherazade triumphed in connecting stories over many nights until the king finally accepted her as his queen and ended the horrific practice of murdering his wife.


5. Write about the author E.M. Forster.

Ans: On January 1, 1879, the author E.M. Forster was born. He was a brilliant English novelist and critic who created a plethora of short tales, novels, and articles. His first work, Where Angels Fear to Tread, was released in 1905. The author lived in Italy for some time where two of his novels Where Angels‘ Fear to Tread‘ and A Room with a View’s based. After returning to England, he delivered some lectures at Working Men‘s College. But his most mature work to date was to appear in 1920 with the Howards End publications. A Passage to India‘ is one of his known works The author spent some time in Italy, where two of his novels, Where Angels Fear to Tread and A Room with a View, is set. When he returned to England, he gave some lectures at Working Men's College. His most mature work, however, appeared in 1920 with the Howards End publications. One of his well-known pieces is 'A Passage to India. In 1953, The Hill of Devi, a depiction of India with comments, was published. The essay in the lesson The Story‘ is an excerpt from Chapter 2 of Aspects of the Novel‘.