A compound used in photography is:
A) $AgCl$
B) $AgN{O_3}$
C) $AgBr$
D) $A{g_2}C{O_3}$
Answer
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Hint: We know that Silver bromide, a delicate, light yellow, water-insoluble salt notable (alongside other silver halides) for its uncommon affectability to light. This property has permitted $AgX$ to turn into the premise of present day photographic materials. Silver bromide is broadly utilized in photographic movies and is accepted by some to have been utilized for making the Shroud of Turin. The salt can be found normally as the mineral bromargyrite.
Complete answer:
We have to know that the silver bromide is a significant segment of photographic film and is light delicate. The silver salts are set up by adding sodium bromide to an answer of silver nitrate. The delicate surface of standard film is a layer of gelatin conveying silver bromide gems. Openness to light in a camera delivers an undetectable change.
Hence option C is correct.
Albeit the compound can be found in mineral structure, \[AgBr\] is normally set up by the response of silver nitrate with an antacid bromide, regularly potassium bromide:
\[AgN{O_3}\left( {aq} \right) + KBr\left( {aq} \right) \to AgBr\left( s \right) + KN{O_3}\left( {aq} \right)\]
Albeit less helpful, the salt can likewise be arranged straightforwardly from its components.
Present day planning of a basic, light-delicate surface includes framing an emulsion of silver halide gems in a gelatin, which is then covered onto a film or other help. The gems are shaped by precipitation in a controlled climate to deliver little, uniform precious stones called grains
Hence option C is correct.
Note:
We have to know that the Albeit photographic cycles have been being developed since the mid-\[1800s\] , there were no reasonable hypothetical clarifications until \[1938\] with the distribution of a paper by R.W. Cart and N.F. Mott. This paper set off a lot of examination in fields of strong state science and physical science, also more explicitly in silver halide photosensitivity phenomena.
Further examination into this instrument uncovered that the photographic properties of silver halides (specifically\[AgBr\]) were a consequence of deviations from an ideal gem structure. Factors like precious stone development, pollution, and surface imperfections all influence convergences of point ionic deformities and electronic snares, which influence the affectability to light and take into account the arrangement of an inert picture.
Complete answer:
We have to know that the silver bromide is a significant segment of photographic film and is light delicate. The silver salts are set up by adding sodium bromide to an answer of silver nitrate. The delicate surface of standard film is a layer of gelatin conveying silver bromide gems. Openness to light in a camera delivers an undetectable change.
Hence option C is correct.
Albeit the compound can be found in mineral structure, \[AgBr\] is normally set up by the response of silver nitrate with an antacid bromide, regularly potassium bromide:
\[AgN{O_3}\left( {aq} \right) + KBr\left( {aq} \right) \to AgBr\left( s \right) + KN{O_3}\left( {aq} \right)\]
Albeit less helpful, the salt can likewise be arranged straightforwardly from its components.
Present day planning of a basic, light-delicate surface includes framing an emulsion of silver halide gems in a gelatin, which is then covered onto a film or other help. The gems are shaped by precipitation in a controlled climate to deliver little, uniform precious stones called grains
Hence option C is correct.
Note:
We have to know that the Albeit photographic cycles have been being developed since the mid-\[1800s\] , there were no reasonable hypothetical clarifications until \[1938\] with the distribution of a paper by R.W. Cart and N.F. Mott. This paper set off a lot of examination in fields of strong state science and physical science, also more explicitly in silver halide photosensitivity phenomena.
Further examination into this instrument uncovered that the photographic properties of silver halides (specifically\[AgBr\]) were a consequence of deviations from an ideal gem structure. Factors like precious stone development, pollution, and surface imperfections all influence convergences of point ionic deformities and electronic snares, which influence the affectability to light and take into account the arrangement of an inert picture.
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