Question

Who, among the following, is not a painter of the Renaissance period?
A. Dante
B. Raphael
C. Michael Angelo
D. Leonardo da Vinci

Answer 1

Hint: Renaissance workmanship is the painting, design, and beautifying crafts of the time of European history known as the Renaissance, which arose as an unmistakable style in Italy in about AD 1400, in corresponding with improvements which happened in reasoning, writing, music, science, and innovation. Renaissance workmanship, seen as the noblest of antiquated conventions, took as its establishment the craft of Classical artifact, however, changed that custom by retaining ongoing advancements in the specialty of Northern Europe and by applying contemporary logical information.

Complete answer:
 The assortment of workmanship, painting, mold, design, music, and writing distinguished as "Renaissance craftsmanship" was essentially created during the fourteenth, fifteenth, and sixteenth hundreds of years in Europe under the consolidated impacts of expanded attention to nature, a recovery of traditional learning, and a more individualistic perspective on the man. Researchers at this point don't really accept that the Renaissance denoted a sudden break with middle age esteems, as is recommended by the French word renaissance, in a real sense signifying "resurrection". Or maybe, verifiable sources recommend that premium in nature, humanistic learning, and independence were at that point present in the late middle age time frame and got prevailing in the fifteenth and sixteenth-century Italy, simultaneously with social and monetary changes, for example, the secularization of the day by day life, the ascent of a sound cash credit economy, and enormously expanded social portability. In numerous pieces of Europe, Early Renaissance workmanship was made in corresponding with Late Medieval art. The "all-inclusive virtuoso" Leonardo da Vinci was to additional ideal the parts of pictorial craftsmanship (lighting, straight and air viewpoint, life systems, foreshortening, and characterization) that had engrossed specialists of the Early Renaissance, in a long period of considering and carefully recording his perceptions of the characteristic world. The craft of Leonardo's more youthful contemporary Michelangelo took an altogether different heading. Michelangelo in neither his artistic creation nor his figure exhibits any interest in the perception of any regular article aside from the human body. Raffaello Sanzio da Urbino, known as Raphael, was an Italian painter and modeler of the High Renaissance. His work is respected for its lucidity of structure, simplicity of organization, and visual accomplishment of the Neoplatonic ideal of human loftiness.

So the correct answer is A.

Note: Alongside the Renaissance humanist way of thinking, it spread all through Europe, influencing the two specialists and their supporters with the improvement of new methods and new masterful sensibilities. For workmanship students of history, Renaissance craftsmanship denotes the progress of Europe from the middle age time frame to the Early Modern Age.