
Who wrote Mudrakshaha?
a. Vishakadatta
b. Panni
c. Patanjali
d. Shudrak
Answer
547.2k+ views
Hint:
Vishakhadatta (Sanskrit: विशाखदत्त) was an Indian Sanskrit writer and dramatist. Despite the fact that Vishakhadatta outfits the names of his dad and granddad as Maharaja Bhaskaradatta and Maharaja vateshvaradatta in his political show.
Complete solution:
Mudrārākṣasa ("Rákshasa's Ring") is Vishakhadatta's just enduring play, in spite of the fact that there exist parts of another work credited to him.Vishakhadatta has focused upon recorded realities in the Mudrarakshasa, a play managing the hour of the Maurya Dynasty.
The titles of Vishakhadatta's dad and granddad do show one focal point: that he came from a regal family, sure to have been associated with political organization in any event at a neighborhood level. It appears to be truly conceivable, truth be told, that Vishakhadatta came to writing from the universe of issues.
Elaborately he stands somewhat separated from different writers. Appropriate abstract instruction is obviously no chance lacking, and in proper terms, he works inside the typical shows of Sanskrit writing, yet one doesn't feel that he develops these shows energetically for the good of their own. It would be a crime to recommend that one can distinguish in his composing a cut, semi military word usage as it is considered Kālidāsa as an unschooled offspring of nature basically on the grounds that he shows himself less soaks than Bhavabhūti in philosophical intellect. In any case, most would agree that Vishakhadatta's exposition entries specifically regularly have a specific firmness contrasted with the graceful saying of both Kālidāsa and Bhavabhūti. In family members, as opposed to outright, terms his style incorporates towards the standard of "more issue and less workmanship."
Hence, the correct answer is option A.
Note:
There have been different instances of commitments to Sanskrit writing by men of activity - for example, the three plays attributed to the commended ruler, Harsha (vardhana). The attribution is conceivable, and the plays are capable and commendable pieces.
Vishakhadatta (Sanskrit: विशाखदत्त) was an Indian Sanskrit writer and dramatist. Despite the fact that Vishakhadatta outfits the names of his dad and granddad as Maharaja Bhaskaradatta and Maharaja vateshvaradatta in his political show.
Complete solution:
Mudrārākṣasa ("Rákshasa's Ring") is Vishakhadatta's just enduring play, in spite of the fact that there exist parts of another work credited to him.Vishakhadatta has focused upon recorded realities in the Mudrarakshasa, a play managing the hour of the Maurya Dynasty.
The titles of Vishakhadatta's dad and granddad do show one focal point: that he came from a regal family, sure to have been associated with political organization in any event at a neighborhood level. It appears to be truly conceivable, truth be told, that Vishakhadatta came to writing from the universe of issues.
Elaborately he stands somewhat separated from different writers. Appropriate abstract instruction is obviously no chance lacking, and in proper terms, he works inside the typical shows of Sanskrit writing, yet one doesn't feel that he develops these shows energetically for the good of their own. It would be a crime to recommend that one can distinguish in his composing a cut, semi military word usage as it is considered Kālidāsa as an unschooled offspring of nature basically on the grounds that he shows himself less soaks than Bhavabhūti in philosophical intellect. In any case, most would agree that Vishakhadatta's exposition entries specifically regularly have a specific firmness contrasted with the graceful saying of both Kālidāsa and Bhavabhūti. In family members, as opposed to outright, terms his style incorporates towards the standard of "more issue and less workmanship."
Hence, the correct answer is option A.
Note:
There have been different instances of commitments to Sanskrit writing by men of activity - for example, the three plays attributed to the commended ruler, Harsha (vardhana). The attribution is conceivable, and the plays are capable and commendable pieces.
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