
Who is the writer of Sangeet Ratnakar?
A) Narad
B) Brahma
C) Pandit Sarangdev
D) Pandit Ahobal
Answer
552k+ views
Hint:
The Sangeet Ratnakar literally "Sea of Music and Dance", is one of the main Sanskrit musicological writings from India. Composed by Śārṅgadeva in the thirteenth century, the two Hindustani music and Carnatic music conventions of Indian old-style music view it as a complete book.
Complete Answer:
Sarngadeva portrayed his thoughts on music and dance in the Sangita Ratnakara, ornamenting it with a philosophical context. He deliberately introduced his thoughts on the idea of sound, register, the littlest particular sounds that people can hear and instruments can create, melodic scales and modes, 264 ragas, beats and function of time, prosody, the connection between execution expressions and human feelings and conclusions, melodic and vocal decorations, the organization of show and tunes, and the boundless open doors accessible to the craftsman to communicate and influence her audience.
As per Peter Fletcher – an educator of Music and Drama, Śārṅgadeva states in Sangita Ratnakara that "the author was required to be a skilful entertainer, however, he likewise clarified that the arranger was relied upon to know his crowd, and how their brains work, transcending his own preferences, to carry pleasure to everyone".
Thus, option (C) is correct.
Note:
Śārṅgadeva is one of the most powerful middle age time music scholars of the Indian subcontinent, and his book has been designated "the main present-day book on Indian traditional music". The book is considered by some to be as huge as Bharata's Natya Shastra. This is the content in the Indian musicology that is alluded to by both Carnatic and Hindustani Classical Music traditions. As per Don Randel – an instructor of Musicology, Śārṅgadeva's substance is the most sweeping piece that interprets the Natya Shastra and Brihaddeshi of the old-fashioned Indian music show.
The Sangeet Ratnakar literally "Sea of Music and Dance", is one of the main Sanskrit musicological writings from India. Composed by Śārṅgadeva in the thirteenth century, the two Hindustani music and Carnatic music conventions of Indian old-style music view it as a complete book.
Complete Answer:
Sarngadeva portrayed his thoughts on music and dance in the Sangita Ratnakara, ornamenting it with a philosophical context. He deliberately introduced his thoughts on the idea of sound, register, the littlest particular sounds that people can hear and instruments can create, melodic scales and modes, 264 ragas, beats and function of time, prosody, the connection between execution expressions and human feelings and conclusions, melodic and vocal decorations, the organization of show and tunes, and the boundless open doors accessible to the craftsman to communicate and influence her audience.
As per Peter Fletcher – an educator of Music and Drama, Śārṅgadeva states in Sangita Ratnakara that "the author was required to be a skilful entertainer, however, he likewise clarified that the arranger was relied upon to know his crowd, and how their brains work, transcending his own preferences, to carry pleasure to everyone".
Thus, option (C) is correct.
Note:
Śārṅgadeva is one of the most powerful middle age time music scholars of the Indian subcontinent, and his book has been designated "the main present-day book on Indian traditional music". The book is considered by some to be as huge as Bharata's Natya Shastra. This is the content in the Indian musicology that is alluded to by both Carnatic and Hindustani Classical Music traditions. As per Don Randel – an instructor of Musicology, Śārṅgadeva's substance is the most sweeping piece that interprets the Natya Shastra and Brihaddeshi of the old-fashioned Indian music show.
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