Question

How did the Mughal court suggest that everyone- the rich and the poor, the powerful and the weak- received justice equally from the emperor?

Answer 1

Hint: The Mughal Empire was an early-modern kingdom that ruled much of South Asia between the 16th and 19th centuries. For some 2 centuries, the kingdom overextended from the outer peripheries of the Indus basin in the west, northern Afghanistan in the northwest, and Kashmir in the north, to the plateaus of current day Assam and Bangladesh in the east, and the highlands of the Deccan plateau in south India.

Complete step-by-step answer:
The Diwan-i-Am, or Hall of Audience, is an assembly room in the Red Fort of Delhi where the Mughal ruler Shah Jahan (1628-1656) and his descendants responded to confederates of the wide-ranging public and heard their objections. The Mughal court proposes that everybody – the rich and the poor, the powerful and the weak – accepted lawfulness alike from the emperor: By architectural landscapes which highpoint the impression of the king as a spokesperson of God on earth. The link between royal justice and the majestic court was accentuated by Shah Jahan in his recently built court in the Red Fort at Delhi. There were sequences of pietra dura insets posterior to the emperor's throne which portrayed that mythical Greek god Orpheus performing the lute. The building of addressees’ hall intended to convey that the king's justice would consider the high and the low as equals forming a world where all could live simultaneously in concord.

Note: The Diwan-i-Am comprises a front hall, open on 3 sides and supported by a set of rooms faced in red sandstone. The hall is $100{\text{ft}} \times 60{\text{ft}}$ and separated into 27 square bays on an arrangement of columns which warrant the curves. The ceiling is covered by sandstone rays. The magnitudes of this hall, of its columns, and of the inscribed curves display high aesthetics and fine workmanship. With a remarkable façade of 9 inscribed arch overtures, the hall was decorated with gold-plated and white shell lime chunam plasterwork. Its ceiling and columns were coated with gold.