Question

What was the basic philosophy of Romantic artists?
A) They opposed monarchical reforms
B) They wanted to glorify folk art and vernacular language.
C) They stressed the importance of tradition and established institutions and customs.
D) They were supporters of democracy.

Answer 1

Hint: Romanticism was an artistic, literary, musical, and philosophical movement that began in Europe at the end of the 18th century and peaked roughly between 1800 and 1850 in most places. Romanticism was defined by its stress on emotion and individualism, as well as the exaltation of all things past and present, with a preference for the mediaeval over the classical.

Complete answer:
Romanticism stressed extreme emotion as an actual source of aesthetic experience, putting a new focus on feelings like dread, horror, and terror, as well as wonder — particularly when confronted with new aesthetic categories like the sublime and natural beauty. It was also characterized by its emphasis on emotion and individualism as well as the glorification of all the past and nature, preferring the medieval rather than the classical. It was partly a reaction to the Industrial Revolution] the aristocratic social and political norms of the Age of Enlightenment, and the scientific rationalization of nature—all components of modernity.

The culture was crucial in forming the concept of a "nation in Europe":
1. The Romantic painters' fundamental idea was to exalt peasant art and vernacular language.
2. Romanticism was a cultural movement that favoured feelings, intuitions, and mystical experiences over reason and science.
3. Romantics are fond of Johann Gottfried Herder, who thought that German culture existed among the people or das Volk. The folk culture of music, poetry, and dance popularised the concept of nationhood.

Thus, the correct answer is Option (B) They wanted to glorify folk art and vernacular language.

Note: The fundamental importance of the artist's unfettered expression of sentiments may be used to explore the essence of Romanticism. The German painter Caspar David Friedrich summed up the Romantics' emphasis on emotion when he said, "The artist's mood is his rule." To portray these emotions, it was thought that the substance of art should emerge from the artist's mind, with as little interference as possible from "artificial" standards prescribing what should be included in a work.