Question

An inscription in Shah Jahan's diwan-i khas in Delhi stated, "If there is Paradise on Earth it is here, it is here, it is here". How was this image created?

Answer 1

Hint: The Diwan-I-Khas , or Hall of Private Audiences, was a chamber in the Red Fort of Delhi worked in 1648 as an area for gatherings. It was the area where the Mughal Emperor Shah Jahan got squires and state visitors. It was otherwise called the Shah Mahal.

Complete answer:
Shah Jahan's diwan-I khas was planned so that it combined in a terrific amicable blend. It was painstakingly arranged. It was put inside a huge yard. Behind the ruler's seat there was a progression of pietra-dura decorates. It portrayed the legendary god Orpheus playing the lute. The diwan-e khas was intended to convey that the lord's equity would treat the high and the low as equivalents, making an existence where all could live respectively in agreement. The diwan-I khas mirrored the picture of heaven in itself.

An entryway on the north side of the former Diwan-I's crowd corridor prompted the deepest court of the royal residence called Jalau Khana and the Diwan-I-Khas. Initially there were two nooks on the west of the corridor, one for the aristocrats and the other for those of a lower rank. These arcaded courts were devastated after the Indian Rebellion of 1857.
It estimates 90 x 67 feet. It comprises a rectangular focal chamber, encircled by a progression of curves ascending from marble docks. The lower portions of the wharfs are trimmed with flower plans, while the upper parts are painted and overlaid. The four corners of the rooftop are conquered by pillared chhatri.

The roof, which was initially decorated with silver and gold, was stripped uncovered by progressive monetary emergencies of the domain by the Jats or Marattas. The current roof was introduced in 1911. The later Peacock Throne from after Nadir Shah's attack once remained in this corridor, towards the east side.

Note: The interiors of the Diwan-I-Khas were totally plundered after the Indian Rebellion of 1857. The seat, the rugs, and some other things disappeared. The corridor today is, hence, just a shell of what it used to be. Ongoing reclamation work has been revamped on the boards of decorate and has likewise recreated the overlaid design on one of the columns fronting the lobby.