The Chola inscriptions are found in the following languages:
1.Sanskrit
2.Telugu
3.Tamil
4.Kannada
Their correct sequence in terms of the extent to which they were used (most frequent first, least frequent last) is
a. 3,1,4,2
b. 1,3,2,4
c. 1,3,4,2
d. 3,1,2,4
Answer
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Hint:
The engravings gave by the Chola rulers are found from different pieces of the old Madras state. They give confirmations for the Cholas’ assault on Kerala. Assaults on south Kerala districts are referenced in the engravings found from the sanctuaries at Cholapuram, Kanyakumari, Darsanam Koppu, Thirunanthikarai and Sucheendram.
Complete answer:
An ordinary Chola copperplate engraving right now showed at the Government Museum, Chennai’s, India, is dated c. the tenth century C.E. It comprises of five copper plates string in a copper ring, the closures of which zone made sure about with a Chola seal bearing in alleviation, a situated tiger confronting the right, two fish to one side of this. These three figures have a bow underneath, a parasol and two fly-whisks (Champaran) at the top and a light on each side. Around the edge engraved in Grantha characters, “This is the incomparable declaration of Kong Parakesarivarman, who arrived at equity to the rulers of his domain”. A distributed of this engraving is in Sanskrit and the rest is in Tamil. The plates contain a declaration gave by the Chola ruler Ko-Para-Kesarivarman pseudonym Uththama Chola, at Kachhippedu (Kanchipuram) in line with his priest, to affirm the substance of various stone engravings, which alluded to specific levy to be paid to the sanctuary of Vishnu at Kachhippedu. Courses of action made for the few administrations in the sanctuary are likewise portrayed. Uththama Chola was an uncle and archetype of Rajaraja Chola I.
Hence, the correct answer is option D.
Note:
Under the Cholas, the Tamil nation arrived at new statures of greatness in workmanship, religion, music and literature. In these circles, the Chola time frame denoted the perfection of developments that had started in a prior age under the Pallavas. Monumental design as magnificent sanctuaries and model in stone and bronze arrived at an artfulness at no other time accomplished in India.
The engravings gave by the Chola rulers are found from different pieces of the old Madras state. They give confirmations for the Cholas’ assault on Kerala. Assaults on south Kerala districts are referenced in the engravings found from the sanctuaries at Cholapuram, Kanyakumari, Darsanam Koppu, Thirunanthikarai and Sucheendram.
Complete answer:
An ordinary Chola copperplate engraving right now showed at the Government Museum, Chennai’s, India, is dated c. the tenth century C.E. It comprises of five copper plates string in a copper ring, the closures of which zone made sure about with a Chola seal bearing in alleviation, a situated tiger confronting the right, two fish to one side of this. These three figures have a bow underneath, a parasol and two fly-whisks (Champaran) at the top and a light on each side. Around the edge engraved in Grantha characters, “This is the incomparable declaration of Kong Parakesarivarman, who arrived at equity to the rulers of his domain”. A distributed of this engraving is in Sanskrit and the rest is in Tamil. The plates contain a declaration gave by the Chola ruler Ko-Para-Kesarivarman pseudonym Uththama Chola, at Kachhippedu (Kanchipuram) in line with his priest, to affirm the substance of various stone engravings, which alluded to specific levy to be paid to the sanctuary of Vishnu at Kachhippedu. Courses of action made for the few administrations in the sanctuary are likewise portrayed. Uththama Chola was an uncle and archetype of Rajaraja Chola I.
Hence, the correct answer is option D.
Note:
Under the Cholas, the Tamil nation arrived at new statures of greatness in workmanship, religion, music and literature. In these circles, the Chola time frame denoted the perfection of developments that had started in a prior age under the Pallavas. Monumental design as magnificent sanctuaries and model in stone and bronze arrived at an artfulness at no other time accomplished in India.
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